The bright apple-green of the fields and the very dark green of the trees are enlivened by smaller areas of orange, yellow and purple; the sky is intensely blue. The viewer of the art work loses sight of the background and notices the lighted part of the art work, this is what Edward Hopper wanted to accomplish.
In this section, discuss how and why the key elements and principles of art used by the artist create meaning. It is always a useful exercise, even when it is not intended as an end in itself.
While the mood of the picture is conveyed most obviously through the position and attitude of the figure, still the entire painting functions in evoking this response. Elements or general shapes architectural structural system within the composition, including building of post-lintel construction or painting with several figures lined up in a row; identification of objects e.
Interpretations are persuasive arguments. For Fry, that information only came after everything else, if it was mentioned at all. This is also the effect he wanted to accomplish to the viewer.
What criteria do I think are most appropriate for judging the artwork? The viewer of the art work loses sight of the background and notices the lighted part of the art work, this is what Edward Hopper wanted to accomplish. These strokes are strictly parallel, almost entirely rectilinear, and slant from right to left as they descend.
This was not a new idea, but he explored it in relation to many specific visual examples. The Bible and Archaeology. It answers the question, "What do you see? Use the present tense in describing works of art.
The interior of the room and the woman in it are painted in subdued, desert-sand colors, roughly and vigorously applied with much of the drawing achieved by leaving exposed an earlier layer of paint.
Treatment of space and landscape, both real and illusionary including use of perspectivee. The painting shows a large room and several figures scattered throughout the painting.
The line form he uses is symmetrical. Description of how line describes shape and space volume ; distinguish between lines of objects and lines of composition, e. One Art carefully if casually records these events, beginning innocently enough with an ironic play on 'the art', before moving on to more serious losses.
Artworks have "aboutness" and demand interpretation. In it she meditates on the art of losing, building up a small catalogue of losses which includes house keys and a mother's watch, before climaxing in the loss of houses, land and a loved one.
Read it out loud and see if it makes sense. Who wants to lose a thing and then not get emotional about it? Otherwise it becomes a distraction, a red herring that leads the reader away from the subject at hand. He uses the lines free and loose making it an expression of his contour lines.Formal Analysis.
Formal analysis is a specific type of visual description. Unlike ekphrasis, it is not meant to evoke the work in the reader’s mind. The Art of War is a combination of deep philosophy as well as detailed prescriptions for winning by using correct tactics.
The treatise begins with the direction that: " War is a matter of vital importance to the state; the province of life and death; the road to survival or ruin. One Art is a villanelle, that is, it consists of five tercets rhyming aba and a quatrain of abaa.
Traditionally the villanelle is in iambic pentameter, each line having five stresses or.
Formal Analysis. Formal analysis is a specific type of visual description. Unlike ekphrasis, it is not meant to evoke the work in the reader’s mind. Instead it is an explanation of visual structure, of the ways in which certain visual elements have been arranged and function within a composition.
ART CRITICISM AND FORMAL ANALYSIS OUTLINE. ART CRITICISM. Defining Art Criticism · Art criticism is responding to, interpreting meaning, and making critical judgments about specific works of art.
· Art critics help viewers perceive, interpret, and judge artworks. · Critics tend to focus more on modern and contemporary art from cultures close to their own.
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